The Best LOOKS of the Decade
Our Best Albums of 2019
Jane the Virgin: The Subverted Narrative of the Pure and Religious Latina woman
The subjugating power of Aesthetics: Othering of the Self (I)
Norman F*****g Rockwell: Of Art & Authenticity
Brockhampton, The Album That Hugs
Creative Ways to Get Rid of a Man
Lovebox Festival ’19: Better than Coachella
The Marriage Market in Literature: Jane Eyre and Pride & Prejudice
The Silencing of Daughters in Shakespeare’s works: Titus and Shrew
The Islamic Veil in Fanon’s Post-Colonial Psychoanalysis: a Changing Symbol
The Oppositional Gaze & Black Representation in Cinema
The Subversion of Cinematic Narrative: Mulholland Drive
Social Media: Expressions of Psychological and Physical Personhood
Interviews with Artists: Molly Lambourn as Sophie Stokes
How Lady Gaga Helped Me Accept My Chronic Pain
Riot Grrrl Press: margin vs mainstream
Review of Our Zines
Announcing our Small Press Zine: Editor’s Notes
Feminist Manifestos (zine)
2019 Resolutions Bible : A Mind Set
‘Sweep The Temple’ by Peter Page
To The Man Who Made Me Feel Small
A Feminist Theory: Sexualisation
September Songs
The Problems with Prostitution: Inherent or Relative?
Gossip Girl: A Gatsby Retelling
Sometimes I think I’m Lana Del Rey
Alternative R&B Artists That Make You Feel Cool
Inadvertently shady (a 2-minute read)
The Sexist Censorship of Simone de Beauvoir in Translation
De-Bunking Fitness Myths Fast Pt I
Ada Reviews: The Haute Couture Shows
One Year of MyGoddessComplex
Multi-Verse Theory
Festival fever: Lovebox ’18
The Woman Who Made Me Feel Like ‘The Other Woman’
Royal Wedding: intrigue or dismiss?
Interviews with Artists: Grapefruit Soup
Sunday Brunch: I have Bad Role Models
What Queer Cinema Taught Me About Cinema
Bourgeois on a Budget Vol II
Sunday Brunch: The All Black ensemble
A Transwoman’s Place Is A Woman’s Place
A Series of Trump’s Homophobic Health Reforms
Interviews With Artists: Naila Aroni
Hell or No Hell : A Papal Controversy
Can Men REALLY Be Feminists?
