


The subjugating power of Aesthetics: Othering of the Self (I)

Norman F*****g Rockwell: Of Art & Authenticity

Brockhampton, The Album That Hugs

Creative Ways to Get Rid of a Man

Lovebox Festival ’19: Better than Coachella

The Marriage Market in Literature: Jane Eyre and Pride & Prejudice

The Silencing of Daughters in Shakespeare’s works: Titus and Shrew

The Islamic Veil in Fanon’s Post-Colonial Psychoanalysis: a Changing Symbol

The Oppositional Gaze & Black Representation in Cinema

The Subversion of Cinematic Narrative: Mulholland Drive

Social Media: Expressions of Psychological and Physical Personhood

Interviews with Artists: Molly Lambourn as Sophie Stokes

How Lady Gaga Helped Me Accept My Chronic Pain

Riot Grrrl Press: margin vs mainstream

Review of Our Zines

Announcing our Small Press Zine: Editor’s Notes

Feminist Manifestos (zine)

2019 Resolutions Bible : A Mind Set

‘Sweep The Temple’ by Peter Page

To The Man Who Made Me Feel Small

A Feminist Theory: Sexualisation

September Songs

The Problems with Prostitution: Inherent or Relative?

Gossip Girl: A Gatsby Retelling

Sometimes I think I’m Lana Del Rey

Alternative R&B Artists That Make You Feel Cool

Inadvertently shady (a 2-minute read)

The Sexist Censorship of Simone de Beauvoir in Translation

De-Bunking Fitness Myths Fast Pt I

Ada Reviews: The Haute Couture Shows

One Year of MyGoddessComplex

Multi-Verse Theory

Festival fever: Lovebox ’18

The Woman Who Made Me Feel Like ‘The Other Woman’

Royal Wedding: intrigue or dismiss?

Interviews with Artists: Grapefruit Soup

Sunday Brunch: I have Bad Role Models

What Queer Cinema Taught Me About Cinema

Bourgeois on a Budget Vol II

Sunday Brunch: The All Black ensemble

A Transwoman’s Place Is A Woman’s Place

A Series of Trump’s Homophobic Health Reforms

Interviews With Artists: Naila Aroni

Hell or No Hell : A Papal Controversy

Can Men REALLY Be Feminists?

Should magazine covers go make-up free?

Swan Song

New York Fashion Week Fall 2018: In Summary
